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Movies matter – that is the message of� Reel to Real, bell hooks’ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about.
- Sales Rank: #876243 in Books
- Published on: 2008-09-13
- Released on: 2008-01-09
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .73" w x 5.50" l, .80 pounds
- Binding: Paperback
- 320 pages
From Publishers Weekly
Hooks's essays on film are not film criticism: they are criticism of culture as viewed through the prism of film. This mix of theory, reality, popular art and popular criticism (reviews and public reaction play a large part in her discussions) is effective in forcing a rethinking of the films in question. A reading of reviews of Exotica shows that only the strip-joint portions of the movie were considered worthy of commentary. Quentin Tarantino?a filmmaker "not afraid to publicly pimp his wares"?is taken to task for ingesting superficial aspects of black culture and spitting out the rest. The "mock feminism" of Waiting to Exhale ("an utterly boring show") is exposed as hooks examines differences between the book and the movie. The essays that do not focus on a single film are equally successful: a discussion of the black female gaze recalls that slaves could be punished for looking, and another on representations of black masculinity notes that in movies with two male leads, one black and one white, such as Rising Sun, the white man plays the "father" role. The essays could have benefited from more thoughtful organization. Hooks refers to her first-ever film-related essay, on Spike Lee's She's Gotta Have It, in her introduction and elsewhere, but the essay does not appear until the final pages of the book. A piece on the accountability of filmmakers that involves Wayne Wang would have matched up nicely with a dialogue with Wang, which instead is sandwiched in a group of interviews with Arthur Jaffa, Camille Billops and the like.
Copyright 1996 Reed Business Information, Inc.
Review
'hooks... makes a compelling case to filmmakers for creating progressive images that 'transform the culture we live in'.' - Los Angeles Times
About the Author
bell hooks (b. 1951) is mainly known as a feminist thinker, although her writings cover a broad range of topics on gender, race, education and the media. She is Distinguished Professor of English at City College in New York.
Most helpful customer reviews
12 of 17 people found the following review helpful.
bell hooks really gives good information in this one!
By A Customer
An excellent book that really gives you something to think about as she examines race, sex and class in America through the movies. I really enjoyed reading her feminist views, and her interviews with filmmakers Charles Burnett, Camille Billops, and AJ (Arthur Jafa).
0 of 0 people found the following review helpful.
Bell Hooks is amazing!
By Steph
Great book, Bell Hooks is a wonderful author and has opened my eyes and the eyes of many other young women to sexism in media and culture.
0 of 0 people found the following review helpful.
Extreme but provoking
By Jerbo88
Bell Hooks has some extreme ideas but provokes though and idea and puts one mind at different angles of looking at things.
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