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Saturday, September 10, 2011

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Sales Rank: #4111997 in Books
Binding: Paperback

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Friday, September 9, 2011

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Sales Rank: #17394855 in Books
Published on: 2013
Binding: Paperback
366 pages

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Saturday, September 3, 2011

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Photographer’s Guide to the Leica D-Lux 5: Getting the Most from Leica’s Compact Digital Camera, provides a complete introduction in plain language to the operation of the D-Lux 5, Leica's most affordable and popular compact digital camera. The book includes detailed explanations of all features, controls, and menus of the camera, and it also includes introductions to more advanced topics, including astrophotography, infrared photography, and creating 3D images. The book includes more than 150 photographs or illustrations, a full table of contents, and a detailed index.

Sales Rank: #992434 in eBooks
Published on: 2011-03-18
Released on: 2011-03-18
Format: Kindle eBook

Most helpful customer reviews

14 of 14 people found the following review helpful.
Really good at explaining all the gizmos and gadgets that help make great photographs
By Kindle Customer
The first, really only important question to answer is "why spend the bucks to buy this book?"

The Leica D-Lux5 comes boxed with a nicely designed, easy to understand, clearly written instructional manual. A CD inside the box contains a more comprehensive guide to your new top-of-the-line point-and-shoot. So why throw around $25 when you already have more than you probably want to read about your camera and how to use it?

The answer is because chances are you're an amateur photographer and you want to take the best pictures you can and feel comfortable that you're getting the most out of your Leica - and believe me there are a lot of gizmos and gadgets, features and functions, tightly packed in that sleek black metal case to get to know about and get used to.

The first time I picked up my new camera and checked it out, I saw an awful lot that meant little to me. The switch on the top is simple and anyone can figure out that it turns the camera on and then off. But the top of the camera also has the lever that controls the optical zoom. The back of the camera has nine buttons and a wheel, all controlling at least one but usually more functions. A door on the bottom opens into the heart of the camera and has slots for memory and battery.

Four little pinholes on the bottom let sound in. The side of the camera has a portal for the cables and cords that connect the camera to the outside world, your computer and television. All of that is on the outside where you can see it. It's the thought of all that's crammed inside that causes all the angst, at least for this Leica noob (me).

Alexander White's guidebook has the answer to what all these dials, levers, settings and switches do and how do they interplay to take really great snapshots. Guiding you through the various functions and settings in a comprehensive way is what the book is really good at.

There are nine chapters, one for each menu and mode. The book starts simply with basic information about the camera setup and basic operations such as focus, exposure, flash and viewing pictures. Things then get a little more complex. There are sections on settings for portraiture, scenery, night portraiture, picturing food and even a section on photographing parties and taking shots by candlelight. And all those mini-tutorials are in the first three chapters.

You can stay to the basics or you can dig deep and learn about the camera's O.I.S. (optical stabilization system) mode using an in-camera demo. It's more than I want to know but maybe you're into that type of thing.

The section most useful to me personally, gave me instructions on macro shooting, capturing images in extreme closeup where the subject is shown actual size, in a 1:1 ratio, flowers, bugs and other things minature.

The camera it seems can do almost anything to do with image and light and it's my guess there's a section of the book dealing with your particular topic and with many of the topics you've never thought about or imagined.

If you want to feel confident that you're taking advantage of all the technology packed into your sleek, classy black camera with the classic red dot, my advice is buy the book. You'll get a return on your $25 investment in just a couple better-informed clicks of the shutter. That electronic manual that comes with the camera, go ahead and delete it. With your copy of the "Photographer's Guide to the Leica D-Lux 5," you've got things covered and in focus.

12 of 12 people found the following review helpful.
Excellent and informative book
By BarneyBM
I agree with P. Li's review. This is an excellent book that gives very useful information about the D-Lux 5. But I think the book is useful even to advanced photographers who may not know all the features of the D-Lux 5. I am a professional photographer and normally use Leica Ms. But I do not want to travel with them. Without this book, I would not learned about all the features of the camera that aren't covered in the manual. I highly recommend this.

12 of 12 people found the following review helpful.
Love it!
By P. Li
I had the same guide for the D-Lux 4 and decided to get this one when I got my D-Lux 5 after looking at the content preview. It really is a different book, addressing a different camera. I love the author's simple way to describing everything. Simple in the way he explains, but don't get me wrong, he doesn't leave out anything here. Wonderful book. Recommend for everyone except advanced photographers.

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Saturday, August 27, 2011

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Completely up-to-date
coverage of water treatment
facility design and operation

This Second Edition of Susumu Kawamura's landmark volume offers comprehensive coverage of water treatment facility design, from the basic principles to the latest innovations. It covers a broad spectrum of water treatment process designs in detail and offers clear guidelines on how to choose the unit, process, and equipment that will maximize overall efficiency and minimize maintenance costs. This book also explores many important operational issues that affect today's plant operators and facility designers.

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* Practical guidance on the design of every water treatment plant component
* New information on plant layout, cost estimation, sedimentation issues, and more
* English and SI units throughout
* Help in designing for compliance with water treatment-related government regulations

Supplemented with hundreds of illustrations, charts, and tables, Integrated Design and Operation of Water Treatment Facilities, Second Edition is an indispensable, hands-on resource for civil engineers and managers, whether working on new facilities or redesigning and rebuilding existing facilities.

Sales Rank: #626282 in Books
Published on: 2000-09-14
Original language: English
Number of items: 1
Dimensions: 9.35" h x 1.58" w x 6.38" l, 2.40 pounds
Binding: Hardcover
720 pages

From the Back Cover
Completely up-to-date
coverage of water treatment
facility design and operation

This Second Edition of Susumu Kawamura’s landmark volume offers comprehensive coverage of water treatment facility design, from the basic principles to the latest innovations. It covers a broad spectrum of water treatment process designs in detail and offers clear guidelines on how to choose the unit, process, and equipment that will maximize overall efficiency and minimize maintenance costs. This book also explores many important operational issues that affect today’s plant operators and facility designers.

This new edition introduces several new subjects, including value engineering, watershed management, dissolved air flotation process, filtered reservoir (clearwell) design, and electrical system design. It provides expanded and updated coverage of objectives for finished water quality, instrumentation and control, disinfection process, ozonation, disinfection by-product control, the GAC process, and the membrane filtration process. Other important features of this Second Edition include:

Practical guidance on the design of every water treatment plant component
New information on plant layout, cost estimation, sedimentation issues, and more
English and SI units throughout
Help in designing for compliance with water treatment-related government regulations

Supplemented with hundreds of illustrations, charts, and tables, Integrated Design and Operation of Water Treatment Facilities, Second Edition is an indispensable, hands-on resource for civil engineers and managers, whether working on new facilities or redesigning and rebuilding existing facilities.

About the Author
SUSUMU KAWAMURA, PhD, PE, Senior Vice President and Corporate Technical Director for Montgomery Watson, Inc., has nearly five decades of experience in every facet of water treatment facility design and operation.

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Saturday, August 13, 2011

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Published on: 2015-12-15
Original language: English
Number of items: 1
Dimensions: 9.21" h x .44" w x 6.14" l, .91 pounds
Binding: Hardcover
166 pages

About the Author
Peter Meineck is Clinical Associate Professor of Classics, New York University, and Artistic Director of the Aquila Theatre Company.

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1 of 1 people found the following review helpful.
The tyrant Cleon is taken down by a lowly sausage-seller
By Lawrance Bernabo
"The Knights" is one of the comic masterpieces of Aristophanes, constituting a direct personal attack on Cleon. The level of invective and satire is pretty astounding, especially since this was only the fourth comedy written by Aristophanes. In his previous comedy, "The Archanians," a character had threatened to cut up Cleon into shoe-leather for the Knights, and in this play the comic playwright makes good on his promise. From satirizing the policies of Cleon's political party and capturing the miseries of war, Aristophanes turns to a personal attack on Cleon as a demagogue.
The comedy begins with two characters, Demosthenes and Nicias, who are caricatures of the historic orators who Aristophanes saw as following public opinion instead of truly leading the people like Pericles. The pair are slaves in the house of Demos, that is to say the citizens of Athens, and are complaining about the new slave, the Paplagonian ("the Tanner"), who represents Cleon and who controls "Demos" by even worst means than they ever did. So they decide to steal the oracles used to persuade Demos and learn that their enemy will be brought down by a sausage-seller. The next thing we know, a sausage-seller stumbles upon stage and the pair convince him to acting, promising him wealth, power, and the support of a thousand knights (who comprise the play's chorus).
At this point the Paphlagonian shows up and the rest of the play consists of mainly a series of agons between him and the sausage-seller in which the two try to out wit, out lie, and outlast each other to win the favor of Demos. The sausage-seller wins over the Demos and Cleon is condemned to sell sausages made with the meat of asses and dogs, always be drunk, to exchange foul language with prostitutes, and to drink nothing but dirty bath water. In the parabasis the chorus ignore Cleon and talk instated about what would happen to the poor tragic poet who wrote this comedy if Athens treats them the way they have other geniuses as they crow old. The big finale has the chorus singing the praises of the knights, their forefathers, the god Poseidon, and of horses (which are sacred to Poseidon).
Compared to "The Acharnians," it is clear "The Knights" is a much more bitter play, portraying the Paplagonian as an unprincipled, lying, cheating scoundrel. The legend is that no other comic dared to lampoon Cleon on stage and that Aristophanes played the role himself and instead of wearing a mask that would clearly represent the features of Cleon smeared his face with wine to represent the purple and bloated visage of the demagogue. The title, as is often the case with the work of Aristophanes, represents the chorus in the play. The Knights were one of the highest orders of citizens in Athens and embodied many of the aristocratic preferences and prejudices that Aristophanes saw as being outdated.
"The Knights" was the fourth play produced by Aristophanes, presented at the Len�an Festival in 424 B.C. We do not know much of his first two efforts, "The Revellers" and "The Babylonians," both of which are long lost, but the third comedy, "The Acharnians" was the first of his three great comedies dealing with the subject of the Peloponnesian War, along with "The Peace" and "Lysistrata." "The Knights" was awarded the first prize at the festival, but Cleon remained in power and therefore a subject for further barbs from Aristophanes.

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Friday, August 12, 2011

[T553.Ebook] Download Ourselves Unborn: A History of the Fetus in Modern America, by Sara Dubow

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Ourselves Unborn: A History of the Fetus in Modern America, by Sara Dubow

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During the past several decades, the fetus has been diversely represented in political debates, medical textbooks and journals, personal memoirs and autobiographies, museum exhibits and mass media, and civil and criminal law. Ourselves Unborn argues that the meanings people attribute to the fetus are not based simply on biological fact or theological truth, but are in fact strongly influenced by competing definitions of personhood and identity, beliefs about knowledge and authority, and assumptions about gender roles and sexuality. In addition, these meanings can be shaped by dramatic historical change: over the course of the twentieth century, medical and technological changes made fetal development more comprehensible, while political and social changes made the fetus a subject of public controversy. Moreover, since the late nineteenth century, questions about how fetal life develops and should be valued have frequently intersected with debates about the authority of science and religion, and the relationship between the individual and society. In examining the contested history of fetal meanings, Sara Dubow brings a fresh perspective to these vital debates.

Sales Rank: #1160738 in Books
Published on: 2010-12-28
Original language: English
Number of items: 1
Dimensions: 6.50" h x 1.10" w x 9.40" l, 1.23 pounds
Binding: Hardcover
320 pages

Review

"Dubow offers up an important contribution to the field, forcing the reader to contend both with why the fetus is such a fascinating topic for investigation and the deeper social tensions expressed in each conversation about the objects." --Journal of the History of Medicine

"The great strength of this book is the author's wide-angle lens on the human fetus across more than a century of American culture and politics. Sara Dubow offers a thoroughly researched, elegantly written, and comprehensive biography of the unborn. Readers interested in the history of medicine, science, and technology, as well as the history of women's health and reproduction, will find much to savor here." --Bulletin of the History of Medicine

"Dubow's history of the fetus as symbol is a major addition to our history of politics, gender, the body, and reproduction in America. To understand American politics and culture since the nineteenth century requires grasping American's long standing interest in the unborn and the many uses of the concept of fetus. Dubow gives the unknowable "unborn" a history, thus revealing that today's fetus is a construction that grew out of specific political circumstances." --Journal of American History

"[I]lluminating, even gripping...Dubow has provided an indispensable contribution to US political thought." --Women's Review of Books

"A nuanced analysis...Dubow's work makes a significant contribution to our understanding of fetal history...This work will quickly become a standard in the field. Dubow places fetal history within a broad historical context that makes the book valuable to scholars interested in twentieth-century gender, race, politics, and medicine." --American Historical Review

"Dubow's book is a reminder of the moral dilemmas, the politicisation and the sometimes shameful decisions that have been taken over the years.This careful book allows the reader to navigate a course through highly-politicised waters."--The Economist

"Provocative" -- Slate

"Splendidly informative." -- Commonweal

About the Author

Sara Dubow is Assistant Professor of History at Williams College.

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10 of 12 people found the following review helpful.
Navigates the roiling waters well
By James V. Holton
"Ourselves Unborn" is destined to be an important contribution in the debate about much more than abortion. Though not directly about that subject, it casts a lot of light on it.

Some readers may suspect that Dubow's lack of clear-cut statements about abortion's morality reflect a bias. But that would be a disservice to the fine work this author has done in pulling back the curtain on the role of the fetus in modern America.

Dubow asserts that the fetus has been much more than a "pre-human" (my phrase) waiting to be born, but a reflection of the country's evolving attitudes about "ourselves unborn." Dubow takes us from the late 1800s/early 1900s up to the present day and shows that perceptions about the fetus reflect larger societal concerns about the role of women, individual rights, and the future of the nation. The research in this book shows that the fetus has evolved (so to speak) to become a proxy for larger social concerns--from the Progressive Era through the Cold War to the present day conservative milieu. Her most incisive commentary is on showing on the expansion of "rights" for the unborn has been the single largest factor for the increasingly restrictive climate of abortion. She shows that the arguments for those rights were in large measure appropriated by abortion opponents in the 1970s and beyond. The idea that the fetus has its own stand-alone rights has developed a lot of currency and is like to retain it for years to come, Dubow asserts.

Abortion opponents are not likely to be swayed by this book. Abortion supporters are not going to find much ammunition for their cause either. However, "Ourselves Unborn" will shed light on how Americans' attitudes towards what it means to be unborn have evolved.

0 of 0 people found the following review helpful.
Intelligent, scholarly
By doug korty
I agree with James Horton's intelligent review. This is a useful scholarly book though not the most interesting. For anyone with a strong interest in this particular important aspect of the abortion issue, it is very much worth reading. It is well documented with good notes, a good index, and an extensive bibliography. (from Williams College) Sara Dubow graduated from Williams College in 1991, and received her Ph.D. from Rutgers University in 2003. Before joining the Williams History department faculty in 2007, she taught at the Brearley School, Hunter College High School, and Hunter College. Her research and teaching interests examine the intersections of gender, law, and politics in 20th century U.S. history. Other books on the abortion debate:

mwir-abortiondebate.blogspot.com/
Midwest Independent Research

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Friday, August 5, 2011

[Q170.Ebook] Download Ebook Colloquial Mongolian: The Complete Course for Beginners (Colloquial Series), by Alan J.K. Sanders, Jantsangiyn Bat-Ireedui

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These double CDs, recorded by native speakers, are an invaluable component of the Colloquial Mongolian course. While reinforcing material from the book, the CDs also contain a variety of additional exercises, including role-playing. This makes them suitable for use in conjunction with other Mongolian courses.

�

Sales Rank: #353273 in Books
Published on: 2002-10-11
Formats: Audiobook, CD
Original language: English
Number of items: 1
Dimensions: 5.50" h x 4.75" w x .50" l, .23 pounds
Binding: Audio CD
329 pages

Review
This text and tape set fills a great need. With it's fast-paced, no-nonsense approach, the learner is immediately introduced to the modified Cyrillic alphabet of the Mongols..for those learners desiring to acquire the language as it is spoken in Mongolia, and who are willing to get into the thick of things and learn the rules of the language by generalizing from authentic language examples, I know no better course.
–Mongolian Studies

Language Notes
Text: English

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17 of 17 people found the following review helpful.
Not for the casual traveller
By Carol Dean
If you really want to learn mongolian get yourself a tutor. I am a fluent speaker of Turkish, and not too shabby at Uzbek, and yet was totally unprepared for spoken Mongolian. I got the 'Learn Mongolian' CD by TalkNow!, and even with lots of listening still couldn't really begin to make out the sounds. If you're going to visit the country, any travel agent there can help you find a tutor for something like $3 or $5 an hour. I had someone whip my pronunciation into pretty good shape in the 10 days I was there, now I feel like I can go back to the book and master the grammar.

The dialogues in this book are helpful, and the content is wonderful if you are going to be spending any time in Ulaanbaatar. In fact I used the map in the book to show my cab drivers where I wanted to go. Yes the language is a little formal, but it's always easier to go from formal to casual rather than back again. And the locals will be tickled. The grammar is tough, but you have to decide whether you actually want to learn the language, or if you just want a phrase book. Really, this is not a phrase book kind of language.

9 of 9 people found the following review helpful.
Differentiation of Different Formats
By Mike R.
First off, this is a fine book, with thorough explanations of a language very different from English. If you've studied other languages, then you shouldn't have any problems. If this is your first "second language", then it may be very technical for you ("accusative tense", "genitive tense" etc.). Also, it goes at a pretty quick pace. Spend good time learning the alphabet as having a good base of Mongolian (Cyrillic) Script will protect you from feeling overwhelmed as the exercises become more complex. (But this is a tip for anyone learning a new language in script that is totally unrelated to your native tongue.)

Before purchasing this book and CD, I was very confused by the difference in different versions (Paperback vs. Audio Book vs. Audio CD).
I purchased the boxed set and the CD (thinking that the CD was a PC version of the lessons and exercises, but it's just the audio CD of the exercises included in the boxed set. So now I'm stuck with two copies of the same CD's).

ISBN-13: 978-0415167147 = Paperback book of conversation lessons, vocabulary and grammar lessons, explained in English but Mongolian is only in Mongolian (Cyrillic) script (not phonetic English spelling)

ISBN-13: 978-0415289498 = Accompanying Audio CD with recordings of dialogues and other exercises.

ISBN-13: 978-0415431644 = A boxed set of the two above.

There seem to be cassettes available also, but I haven't purchased them so I can't speak to that.

46 of 46 people found the following review helpful.
demanding and remarkably informative
By larry bus
This is a highly commendable effort, especially given its status as just about the only readily available Mongolian textbook out there. If you're curious about what's going on in this enormously fascinating yet unfortunately neglected language, it probably wouldn't hurt to know that it's going to take a lot of determination and far more than a mild interest in Mongolian to get much of anything from this extremely demanding and surprisingly thorough text.

While Colloquial Mongolian is based around a ton of pretty practical dialogues, the text may come off as being heavily focused on grammar, especially early on. This is probably a necessary evil as Mongolian grammar isn't the kind of thing that's just going to make sense after glancing at a couple of passages, but still a lot of people are going to be turned off by being expected to puzzle through sections on `iterative verbal nouns' and `imperfective converbs' before you learn how to say `goodbye.' Probably the best bet is to simply ignore the terminology and just concentrate on the examples given. Point is there's no real need to get hung up on some of these explanations and a good move might be to remind yourself that Mongolians don't care when their suffixes are reflexive, in the same way that anyone able to read these reviews probably knows the difference between the words I, me, we and us without necessarily being aware of the `correct' terms for their cases or person. Like most of the offerings from the colloquial series, this book is content with fabricating conversations then tacking on vocabulary lists, leaving the responsibility for reviewing all this information up to the reader, who has to look elsewhere for reinforcement. Since you're gonna need all the help you can get, the grammar sections are good practice even if sometimes the Mongolian may be easier to understand than the English, but hey, that's kinda a good thing.

The dialogues are situational and begin with fun little idioms. They cover basic greetings, shopping, hotels, ordering food and so on, then move quickly into travel itineraries and visits to herdsmen, where we get hefty doses of cultural and historical information. The good news is that translations are provided for just about every sentence in the book so when you find yourself frustrated by the pacing (we're on to modernized excerpts from the Secret History of the Mongols by chapter 10), or just need a break, sitting back with the English versions of the dialogues makes for some very interesting reading.

As other reviewers have noted the description of Mongolian pronunciation here leaves a lot to be desired, but you're not going to have to work through too many conversations before you realize that coughing up a satisfactorily complete rundown of Cyrillic as forced upon just about the least Slavic language imaginable would be tall order, and it's probably best to just work at it the hard way while trying to juggle all the exceptions and fleeting or hidden letters as they come. With such a user-unfriendly alphabet the tapes are absolutely imperative, and they include all the dialogues (about 4 a chapter), but, unaccountably, none of the vocabulary lists. It's a glaring and unfortunate omission because recording the new words would really help with memorization and with familiarizing yourself with the script, plus there's enough extraneous English banter on the tapes that could have been cut out to make more room. Also it should be noted that readers interested in the older vertical script will be disappointed, as the book only provides a standard letter chart and two versions of the same uniquely confusing paragraph, which most likely won't be enough to lead to any kind of literacy.

While not really a criticism, the biggest thing working against this book is that it's probably a little too ambitious. The text is super dense and gives you more than you would need for a visit to Mongolia, and yet isn't quite accessible enough to be 100% satisfactory as a self-study aid. This would, though, be a great textbook for class use if you're lucky enough to be in that position. It's still an impressive work and as packed with information, linguistic and otherwise, as these things get.

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